PACE.V4 https://validator.w3.org/feed/docs/rss2.html Nová dráma /New Drama Festival in Bratislava New Book About Czech Avant-garde Theatre Maker E.F. Burian Published by Polish Theatre Institute Miřenka Čechová’s Ballerinas has been translated into Macedonian and Bulgarian Czechia: The Contemporary Czech Play by Alena Zemančíková Slovakia: Contemporary Slovak Drama of the Current Generation by Dária Fojtíková Fehérová Georgia: Other Voices, Other… Stages: Contemporary Georgian Playwriting in the Twenty-First Century by Lela Ochiauri Estonia: Estonian Contemporary Dramaturgy: A Shift From Literature to Theatre by Anneli Saro Poland: What Contemporary Polish Drama Looks Like by Daria Sobik Ukraine: Cotemporary Drama in Ukraine by Hanna Veselovska Croatia: Contemporary Croatian Drama by Martina Petranović Forum for the Future of Culture 2023 in Warsaw Playwriting The Forum for the Future of Culture 2023 in Prague Drama Revival SHOWOFF About us Contact Links Conferences NEWS ARCHIV Theatre Translation Handbook CULTURE AFTER QUARANTINE Alžběta Vrzgula (SK): Happy End (Reconstruction) / Happy End (Rekonštrukcia), direction: Jan Frič Ukraine: War and Theatres V4 countries pavilions at Prague Quadrennial Third Theatrical Reform? A Green Deal for the Performing Arts ZOOMing Theatre A drama in Quarantine Contactless Communities Screening Theatre Healing (with) Theatre International Cultural Cooperation in Times of War SLOVAKIA UKRAINE GERMANY GEORGIA ESTONIA CZECHIA ARMENIA CROATIA Oksana Grytsenko (UA): I Will Return, direction: Anna Turlo PerformCzech SKILLS’ Project Drama Revival To Be Presented In Prague International Conference “Drama Revival” in Prague Dagmar Fričová (CZ): Darlings / Miláčci, direction: Ondřej Štefaňák Tomáš Ráliš (CZ): Compatible Parts / Slučitelné díly, direction: Lucie Ferenzová Europalia Georgia festival in Brussel’s Bozar HOME POLAND Countries of Central, Eastern and South-Eastern Europe, the Baltics and the Caucasus succeeded at the Prague Quadrennial 2023